Categories
RSS Links
Archives
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
- December 2008
- November 2008
- October 2008
- September 2008
- August 2008
- July 2008
- June 2008
- May 2008
- April 2008
- March 2008
- February 2008
- January 2008
- December 2007
- November 2007
- October 2007
- September 2007
- August 2007
- July 2007
- June 2007
- May 2007
- April 2007
- March 2007
- February 2007
- January 2007
- December 2006
- November 2006
- October 2006
- September 2006
- August 2006
- July 2006
- June 2006
- May 2006
Blogroll
Rittenhouse Square
The park’s current beauty is not necessarily a product of city government’s commitment to public gathering places. Since the early nineteenth century local residents have played an important role in the park’s beautification and maintenance. In the decade before the Civil War local residents raised funds to build fountains in the park. Although the fountains created so much mud that the City Council removed them, the lack of foresight did not deter future benefactors from donating money to improve the park. In 1913, the newly formed Rittenhouse Square Improvement Association contracted Paul Philippe Cret to redesign the park. Cret’s design, which connected diagonal walkways beginning at the corners at a central meeting point, reflects the park’s current layout. The Friends of Rittenhouse Square, a nonprofit organization established in 1976, carries on the tradition of community support. The organization finances weekly landscaping in the square, the planting of new trees and shrubs, bench installation, and sidewalk cleaning.
The area around the park is still home to the city’s elite. High-rise condos and five-star hotels replaced mansions in the twentieth century. Despite the area’s high price tag, the square is one of the city’s most democratic public spaces. Rittenhouse Square brings together perhaps the most diverse sampling of Philadelphia’s residents. It also serves as a host to public art. The park boasts several of the city’s most well-known outdoor sculptures. Among them are Antoine-Louis Barye’s Lion Crushing the Serpent, Paul Manship’s Duck Girl, and Albert Laessle’s Billy.
References: